. HIGHLIGHTS Julen y la Gente Sola's debut is one of the most remarkable uruguayan albums of the last decade. The ten songs included here trace a path that unites twee pop with indie rock, filtered ...

Mediocampo (1984), Jaime Roos's fifth album concludes an unintentional trilogy that began with Aquello (1981) and continued with Siempre son las cuatro (1982). It is the bright side of the series, a ...