Recorded between October 2003 and May 2005, David took a different approach to writing and recording Life In Slow Motion.

Of the change, David says, "I don't think you can remain the underdog forever and work in that way.

I really wanted to get away from that lo-fi bedroom programming. All the records that have inspired me this time have been far more of a soundscape.

The Sigur Ros records, Sparklehorse?s It?s A Wonderful Life, Lucinda Williams? World Without Tears and albums like Deserter?s Songs, where things are more architectural." From the sparse, structured intro of the opener, "Alibi", a song David describes as ?like "Babylon" Part 2 but more abstract...

catching up with the character a few years down the line when they're a bit worse for wear,' to "The One I Love", as beautiful a song about bleeding to death as you're ever likely to hear, and the inspirational fire of "Nos Da Cariad" (Welsh for 'Goodnight Sweetheart') Life In Slow Motion is a distinct departure from his earlier work.

Two compositions on Life In Slow Motion - "From Here You Can Almost See The Sea" and "Ain't No Love"--come from David's work on the soundtrack for Amma Assante's debut film A Way Of Life (released in 2004).

The songs landed David a 2005 BAFTA Anthony Asquith Award nomination for Best New British Composer.