For the first time the work of Jacqueline Nova is available to the public in vinyl LP format. - Jacqueline Nova is one of the pioneers of Latin American electronic music and an essential figure of the Colombian avant-garde.

- Jacqueline Nova (Ghent, Belgium, 1935 - Bogotá, Colombia, 1975), a representative figure of Colombian avant-garde music, developed important and radical work within the field of electronic and instrumental music, as well as in interdisciplinary forms.

This album CREACION DE LA TIERRA - Ecos palpitantes de Jacqueline Nova: Música electroacústica e instrumental (1964-1974) [CREATION OF THE EARTH - Throbbing Echoes of Jacqueline Nova: Electroacoustic and Instrumental Music (1964-1974)], under the curatorship and research of the Colombian composer Ana María Romano G., recovers Nova's most important electroacoustic works: Creación de la tierra [Creation of the Earth] (1972), Oposición-Fusión [Opposition-Fusion] (1968) and Resonancias 1 [Resonances 1] (1968-69), as well as the music for the film Camilo el cura guerrillero [Camilo the Guerrilla Priest] (1974), composed during her stay at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) , of the Torcuato Di Tella Institute, in Buenos Aires, as well as in the Study of Phonology of the University of Buenos Aires.

The compilation also includes the instrumental works Omaggio a Catullus (1972-1974), Transiciones [Transitions] (1964-1965), and Asuimetrías [Asymmetries] (1967), in which she explores randomness, timbre possibilities or the encounter between acoustic and electronic media.

- The interest in experimenting with the human voice, and interdisciplinary work involving visual arts, were some of the aspects that have defined Jacqueline Nova's work.

Ana María Romano has written: "Nova lived in an environment hostile to change, to debate and discussion, hostile to her being an autonomous and lesbian woman.

She undertook feats that make her a pioneer, even though she did not set out to be taken as one, but only as a result of the commitment, dedication and passion of a creator with her society.

Jacqueline Nova died in Bogotá of bone cancer. Her tragic and early death not only cut short a career in full creative force, but also directly affected the development of electroacoustic music in the country.

After her death there was a great silence -close to 15 years- in musical creation with electronic means.

Nova challenged a conservative milieu and survived alone, working in a field thought to be exclusively masculine.

But it was a woman who strengthened the use of technology in Colombian music. A risky bet that sadly represented a high cost: Nova was relegated during her lifetime, but her noises managed to shake and question the comfort zones of the Colombian musical establishment".

- CREACION DE LA TIERRA - Ecos palpitantes de Jacqueline Nova: Música electroacústica e instrumental (1964-1974) [CREATION OF THE EARTH - Throbbing Echoes of Jacqueline Nova: Electroacoustic and Instrumental Music (1964-1974)] is published through Buh Records, on all digital platforms and in a double vinyl edition, limited to 300 copies.

The album includes a booklet with extensive information written by Ana María Romano G. This publication was possible thanks to the Ibermúsicas fund.