Miët, the solo project of musician Suzy LeVoid, was born out of a form of absolute urgency, to make music at all costs.

Self-taught, when she started playing bass in 2013, the desire to compose and perform on stage quickly led her to create this one-woman band, where the bass and the voice are the foundations of a raw, sincere, skin-deep music.

Backed by a looper, she writes and performs alone, quickly making her way to the French stages, opening for Jeanne Added, Shannon Wright...

Less minimalist than the previous album Stumbling, Climbing, Nesting, Ausländer is very rich, as much in the composition as in the writing.

Strongly inspired by the work of Walt Whitman, Miët, like the American poet, subtly uses repetition to give a hypnotic character to her texts.

This feeling of hypnosis is largely accentuated by the sequence of sound loops, creating a perception of an infinite cycle and thus giving birth to an almost mystical atmosphere.