"Avocet Revisited" is a four track EP, commissioned by Earth recordings as a companion piece to Bert Jansch's 1979 avian-themed masterstroke "Avocet".

Earth invited this quartet of artists to each choose a species that particularly speaks to them, and base a track around it.

"Fulmar" - Drifting low and gliding high, the flight patterns of this gull-like creature are echoed in EDWYN COLLINS and CARWYN ELLIS's paean to the bird that spends most of its life airborne.

Part waltz, part lullaby, "Fulmar" is exquisite in its simplicity, with Carwyn's elegant arrangements providing the perfect foil for Edwyn's unmistakeable intonation.

"Curlew" - The opening of MODERN STUDIES' track - the call of the Curlew itself - is as recognisable as the looping feathered frame of its namesake.

Perfectly showcasing the handsome orchestral arrangements that have become the group's signature style, there is a lightness of touch here that evokes Virginia Astley's "From Gardens Where We Feel Secure".

// "Goosander" - Another Scottish resident, both artist and avian. Unmistakably ALASDAIR ROBERTS, "Goosander" is at once refined and somewhat feral; Alasdair's picking supplemented by sighing organ drones and spartan electric guitar.

// "Golden Plover" - TREMBLING BELLS' contribution has a Harvest feel - the last days of summer invoked by the warm refrain and gentle orchestration found on "Golden Plover".

In another lifetime, this song - infused with the sounds of yesteryear - could very easily have made it onto the Wicker Man soundtrack.

which should tell you all you need to know. A pagan hymn reimagined for the Scarfolk era! Artwork again comes from Earth collaborator Hannah Alice (recently nominated for the Art Vinyl 2016) who has gifted each bird magnificent new plumage in her unique style.