Erik Hall worked patiently and solitarily for four years to craft Driver, his sophomore album as In Tall Buildings.

The album comes twenty years after Hall originally fell in love with home recording at age 13 - the year he got his hands on his first multi-track recorder.

As a multi-instrumentalist and producer Hall eventually went on to record and tour with several groups, including old friends His Name is Alive and, more recently, dream-pop duo Wild Belle, performing the rhythm section tracks and lending an engineering hand to their Columbia Records debut.

In stark contrast to the dense polyrhythms echoed by his former group NOMO's albums, Driver uses a relatively simple palette to create spacious pop songs, leaving plenty of room for Hall's often Peter Gabriel-esque vocals to shine.

The music is powerful in it's restrained simplicity, and a compelling foil to the haunting gravity of his vocal performance.

Never rushed, his melodies deliver elliptical lyrics that manage to feel intimate, while retaining a sense of mystery.

Fortunately, the album's melancholic vibe is relatable, rather than moping or histrionic, and ultimately these songs are incredibly inviting and comforting.