After four years of writing, recording, and self-production, Impossible Spaces has delivered on the promise so abundantly present in Sandro Perri's earlier work; and with it, a synthesis of the experimental, electronic and singer-songwriter modes that have marked his evolution as an artist.

On first listen, Impossible Spaces seems to position itself self-consciously as a collection of music about other music.

In this sense, we can think of the album as one listener's personal map of music history, with various voices, phrases, and personalities materializing to guide a song for an instant before disappearing again.

Upon further listening, however, and true to its title, the album reveals itself as something more conflicted, and seemingly contradictory: a six-part meditation on the binaries of absence and presence, the possible and impossible, with a symmetrical internal structure reflecting this back-and-forth dialogue from one song to the next, and an emotional push-and-pull within the personality of the singer and songwriter himself.