Following a string of increasingly electronica-minded releases, Billow Observatory returns to the haunted hunting grounds of their 2012 debut with a fully ambient, percussion-less pearl.

Embracing chance and randomness, spectral guitars rise, flitter, and crackle into dusty particulates as the concept of time is thrown out the window on each track.

An increasingly hostile society no doubt contributes to the album's sense of introspection and the quest for "otherness".

Brooding, spooky, and beautiful, listeners are rewarded with a highly detailed collection of songs evoking visions of slowly spinning globes being knocked slightly off axis.

The duo, consisting of Jason Kolb (Michigan, US) and Jonas Munk (Denmark) started working together in 2006, sending each other tracks across the Atlantic, eventually resulting in a full-length release on Felte in 2012.

What started out as a side project to their respective main projects (Auburn Lull and Manual) have slowly become the main activity for both artists, now with a total of four full-lengths under their belt.

Their music has also evolved and matured over the years, reaching a level of perfection that's only granted producers who've been in the game for decades.

Billow Observatory have by now established themselves as purveyors of highly refined ambient music.