Forgive Yourself. Learn to live with yourself. Don't hurt yourself. This is the mantra of the new album Venus Smiles Not in the House of Tears from Samora Pinderhughes.

Made over 8 years with loving detail by Pinderhughes and his longtime producer Jack DeBoe, it is a deeply personal exploration & reflection of mental health in the modern age.

It tells a non-linear story about a relationship that didn't last, and the lessons learned through it.

How can love exist when grief is in the way? Musically it's intentionally tough to pin down.

Although Pinderhughes is Juilliard-trained, Venus is an open-genre exploration of musicmaking with wide-ranging production and a cinematic landscape of feeling and spirit.

From quiet, contemplative piano pieces to hard-hitting and soulful full band jams, to expansive and fullthroated choir celebrations, Venus is a fitting accompaniment to a multitude of daily human experiences.

It also features artists from Pinderhughes's tight-knit NYC community, representing a wave of new artists who thread the ethics of honesty & vulnerability into their work.

Says Pinderhughes of the album, "Mental health isn't solitary; it's about how our feelings, fears, traumas, and conceptions of self meet the world around us.

Like so many, I've struggled with depression, anxiety, and isolation within a complicated matrix of identities.

I wanted to make a project that would be brutally and lovingly honest about what it feels like to try to sift through the debris of time.

A project that really engages with what it means to love, in the midst of a society that teaches us all the wrong lessons.

Our modern world wants us to get over things quickly and easily. That's where shame enters the picture, because when you struggle with deep cyclical feelings, the process of engaging with these elements in your life is never linear.

It is always two steps forward, one step back. Kindness and honesty are required in equal measure in this life.

Hopefully through the prism of these songs, you can feel something that resonates with you in your own life and experience." Pinderhughes is known for striking intimacy and carefully crafted, radically honest lyrics alongside high-level musicianship, and for using his music to examine sociopolitical issues and fight for change.

His work delves into the things our society tries to hide - its history, its structures, and the things we all experience but don't know how to talk about.

It is an invitation to feel and think deeply about how we live and a commitment to making art that is useful for everyday life.

The New York Times described Pinderhughes' 2022 album GRIEF as a "visionary" work from "one of the most affecting singer-songwriters today, in any genre." Pinderhughes - a collaborator across boundaries with artists including Herbie Hancock, Glenn Ligon, Sara Bareilles, Common, Robert Glasper - is the creator and director of The Healing Project, a project that examines trauma & healing from incarceration, detention, and structural violence.

Pinderhughes was the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America's 2020 Visionary Award.

He is also a United States Artist Fellow, Creative Capital awardee, and Sundance Composers Lab fellow.