Runhild Gammelsæter and Lasse Marhaug are two Norwegian musicians/sound artists. Both started in the early 1990s music underground and have worked in many constellations with a wide range of collaborators.

Despite knowing each other for a long time, Gammelsæter and Marhaug's first collaborative work was the "Quantum Entanglement" LP in 2014.

The album ignited a collective spark that both wanted to pursue further. Still, other commitments got in the way, and the project lay dormant until Stephen O'Malley, and Greg Anderson invited them to open for Sunn O))) for a special gig in the St.

James Church of Culture in Oslo in the autumn of 2019. The two gathered for a long series of rehearsals, and after the successful performance, it was clear that it was time to start working on new compositions and recordings.

That process initiated in late 2019 and continued to early 2021, encompassing before and after the world went through the lockdown.

The result of this long development to be heard accumulated upon their new album "Higgs Boson" on Ideologic Organ Music.

Throughout the profound process of creating "Higgs Boson", Gammelsæter and Marhaug drew inspiration from various subjects and artists.

For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others.

As an album, "Higgs Boson" is direct and focused, drawing on song structures. Within these tracks are vast strata of sound, an immersive multi-dimensional depth of music.

Creating a feeling of depth while working with a flat two-channel stereo format - and how dimensions of texture and distortion can help develop the illusion of a space.

The album structure is a story-like arc, a malleable subjective path, set as the album traverses oblique and suggestive areas, opening the concepts for the listener to unpack as they like.

_ Extract from an exclusive consultation with Gammelsæter & Marhaug, edited by Stephen O'Malley, June 2022