Emily A. Sprague's Water Memory and Mount Vision albums are presented in new and complete detail. Emily's work concerns the connectedness of all things, giving living, core form to the mysterious forces that guide earthly activity and human contact with them.

Memory and vision, ocean and mountains, question and answer, emotions and infinity. Sunshine, lizard, sea salt.

A collection of reflections are visible in the mirrored structures of Water Memory and Mount Vision, two chapters - two halves - each complemented by a written verse.

As much about the presence in youthful experimentation as the permanence of transition and maturation, Water Memory is the first long-form instrumental music Emily ever channeled, generated over a year of self and sonic exploration between Massachusetts and New York.

By contrast, Mount Vision was conceived in a smaller window of time than its predecessor, the pure residue of intense emotional build up during a period of self-hea ling and unguarded reflection.

Composed and captured in Northern California, the body of Mount Vision is a trio of synthesizer pieces; deeply grounded compositions of extended tones trilling into the ether.

Emily's mission on this planet may be facilitating - or illuminating - the correspondence between innermost knowledge and intelligent nature, and Water Memory / Mount Vision are most certainly monumental documents along this sharing path.