The Paperhead have been Nashville's best-kept secret for years now. The trio have crafted three albums of psych-pop perfection, last leaving us with 2014's "Africa Avenue".

They return in fine form with their fourth magnum opus, entitled "Chew". Having been lifelong fans of psychedelia & prog rock, They've found a way to straddle four decades of music.

Rather than committing the cardinal sin of many modern acts by drenching everything in reverb, "Chew" revels in clarity & melody - the listener finds themselves disoriented by the jarring juxtaposition of styles, rather than gimmicky studio trickery.

This was purposeful, as the band wanted "Chew" to seem like criss-crossing AM radio broadcasts.

Melodic psych-pop drifts up against crunchy, progressive riffs and good ol' steel-guitar driven country rock, but it all works.

The album's centerpiece "Dama de Lavanda" is perhaps their most accomplished composition to date, with it's breezy latin rhythms - it swings with an assuredness unseen from the band as yet.

Horns & flutes pepper the mix, but it's the Bacharach-meets-Pretty Things outro that really hits a home run.

The obvious peak of an album crackling with ideas & creativity. "Chew" was recorded by the band in bassist Peter Stringer-Hye's garage studio in Nashville & mixed by Cooper Crain (Bitchin' Bajas, Cave) at Chicago's Minbal Studios.